{"id":1612,"date":"2011-10-15T13:22:00","date_gmt":"2011-10-15T12:22:00","guid":{"rendered":"https:\/\/democracia.e451.net\/projects\/useful-art\/"},"modified":"2021-10-13T13:23:46","modified_gmt":"2021-10-13T12:23:46","slug":"useful-art","status":"publish","type":"project","link":"https:\/\/stage.democracia.com.es\/en\/projects\/useful-art\/","title":{"rendered":"Useful Art."},"content":{"rendered":"\n<p>Curated by Tania Bruguera and Democracia<br>Off Limits, Madrid. Octubre 2011.<\/p>\n\n\n\n<p>Exhibition of different artists who have contributed to the magazine Nolens Volens number 5.<\/p>\n\n\n\n<p>According to the curators of the project, &#8220;we want to highlight the potential of &#8220;useful art &#8220;to create new ways of relationship between art and society, including the possibility of an alliance with some truly transforming movements &#8230; but also treat their contradictions, such as the instrumentalisation of which this type of projects might the object when they turn into substitutes for real social change &#8221;\r\n\r\n<\/p>\n\n\n\n<p><strong>Participating artists:<\/strong><\/p>\n\n\n\n<p>Santiago Cirugeda, Todo Por la Praxis, Rub\u00e9n Santiago, Adri\u00e1n Melis, Bert Theis, Dom\u00e8nec, Ram\u00f3n Parramon, Reuben Moss, Unofficial Tourism, Nuria G\u00fcell, Publink and Olive Martin et Patrick Bernier.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full caja\"><img loading=\"lazy\" width=\"801\" height=\"942\" src=\"https:\/\/democracia.e451.net\/app\/uploads\/2021\/10\/mg0014.jpeg\" alt=\"\" class=\"wp-image-1593\" srcset=\"https:\/\/stage.democracia.com.es\/app\/uploads\/2021\/10\/mg0014.jpeg 801w, https:\/\/stage.democracia.com.es\/app\/uploads\/2021\/10\/mg0014-255x300.jpeg 255w, https:\/\/stage.democracia.com.es\/app\/uploads\/2021\/10\/mg0014-768x903.jpeg 768w\" sizes=\"(max-width: 801px) 100vw, 801px\" \/><\/figure>\n\n\n\n<p><meta charset=\"utf-8\">Todo por la Praxis. &#8220;Banco Guerrilla&#8221;.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full caja\"><img loading=\"lazy\" width=\"794\" height=\"955\" src=\"https:\/\/democracia.e451.net\/app\/uploads\/2021\/10\/mg0060.jpeg\" alt=\"\" class=\"wp-image-1595\" srcset=\"https:\/\/stage.democracia.com.es\/app\/uploads\/2021\/10\/mg0060.jpeg 794w, https:\/\/stage.democracia.com.es\/app\/uploads\/2021\/10\/mg0060-249x300.jpeg 249w, https:\/\/stage.democracia.com.es\/app\/uploads\/2021\/10\/mg0060-768x924.jpeg 768w\" sizes=\"(max-width: 794px) 100vw, 794px\" \/><\/figure>\n\n\n\n<p>Adrian Melis. &#8220;Vigilia&#8221;.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image size-full caja\"><img loading=\"lazy\" width=\"798\" height=\"584\" src=\"https:\/\/democracia.e451.net\/app\/uploads\/2021\/10\/mg0263.jpeg\" alt=\"\" class=\"wp-image-1597\" srcset=\"https:\/\/stage.democracia.com.es\/app\/uploads\/2021\/10\/mg0263.jpeg 798w, https:\/\/stage.democracia.com.es\/app\/uploads\/2021\/10\/mg0263-300x220.jpeg 300w, https:\/\/stage.democracia.com.es\/app\/uploads\/2021\/10\/mg0263-768x562.jpeg 768w\" sizes=\"(max-width: 798px) 100vw, 798px\" \/><\/figure>\n\n\n\n<p>Ramon Parramon. &#8220;ID Barrio&#8221;.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full caja\"><img loading=\"lazy\" width=\"799\" height=\"971\" src=\"https:\/\/democracia.e451.net\/app\/uploads\/2021\/10\/mg0268.jpeg\" alt=\"\" class=\"wp-image-1599\" srcset=\"https:\/\/stage.democracia.com.es\/app\/uploads\/2021\/10\/mg0268.jpeg 799w, https:\/\/stage.democracia.com.es\/app\/uploads\/2021\/10\/mg0268-247x300.jpeg 247w, https:\/\/stage.democracia.com.es\/app\/uploads\/2021\/10\/mg0268-768x933.jpeg 768w\" sizes=\"(max-width: 799px) 100vw, 799px\" \/><\/figure>\n\n\n\n<p><meta charset=\"utf-8\">Domenec. &#8220;Real Estate&#8221;.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full caja\"><img loading=\"lazy\" width=\"397\" height=\"612\" src=\"https:\/\/democracia.e451.net\/app\/uploads\/2021\/10\/12-06.jpeg\" alt=\"\" class=\"wp-image-1601\" srcset=\"https:\/\/stage.democracia.com.es\/app\/uploads\/2021\/10\/12-06.jpeg 397w, https:\/\/stage.democracia.com.es\/app\/uploads\/2021\/10\/12-06-195x300.jpeg 195w\" sizes=\"(max-width: 397px) 100vw, 397px\" \/><\/figure>\n\n\n\n<p><meta charset=\"utf-8\">Nuria G\u00fcell. &#8220;Aplicaci\u00f3n legal desplazada # Reserva fraccionaria 1&#8221;.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-issuu wp-block-embed-issuu caja\"><div class=\"wp-block-embed__wrapper\">\n<div data-url=\"https:\/\/issuu.com\/larrimbe\/docs\/turismoraro\" style=\"width: 500px; height: 355px;\" class=\"issuuembed\"><\/div><script type=\"text\/javascript\" src=\"\/\/e.issuu.com\/embed.js\" async=\"true\"><\/script>\n<\/div><\/figure>\n\n\n\n<p>Unofficial Tourism. &#8220;Turismo Raro&#8221;.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image size-large caja\"><img loading=\"lazy\" width=\"729\" height=\"1024\" src=\"https:\/\/democracia.e451.net\/app\/uploads\/2021\/10\/mg0215-729x1024.jpeg\" alt=\"\" class=\"wp-image-1603\" srcset=\"https:\/\/stage.democracia.com.es\/app\/uploads\/2021\/10\/mg0215-729x1024.jpeg 729w, https:\/\/stage.democracia.com.es\/app\/uploads\/2021\/10\/mg0215-213x300.jpeg 213w, https:\/\/stage.democracia.com.es\/app\/uploads\/2021\/10\/mg0215-768x1079.jpeg 768w, https:\/\/stage.democracia.com.es\/app\/uploads\/2021\/10\/mg0215.jpeg 799w\" sizes=\"(max-width: 729px) 100vw, 729px\" \/><\/figure>\n\n\n\n<p>Publink. &#8220;Rifiuto con affeto&#8221;.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image size-full caja\"><img loading=\"lazy\" width=\"802\" height=\"490\" src=\"https:\/\/democracia.e451.net\/app\/uploads\/2021\/10\/7asian.jpeg\" alt=\"\" class=\"wp-image-1605\" srcset=\"https:\/\/stage.democracia.com.es\/app\/uploads\/2021\/10\/7asian.jpeg 802w, https:\/\/stage.democracia.com.es\/app\/uploads\/2021\/10\/7asian-300x183.jpeg 300w, https:\/\/stage.democracia.com.es\/app\/uploads\/2021\/10\/7asian-768x469.jpeg 768w\" sizes=\"(max-width: 802px) 100vw, 802px\" \/><\/figure>\n\n\n\n<p class=\"caja\">Bert Theis. &#8220;Some Platforms&#8221;.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image size-full caja\"><img loading=\"lazy\" width=\"798\" height=\"577\" src=\"https:\/\/democracia.e451.net\/app\/uploads\/2021\/10\/mg0323.jpeg\" alt=\"\" class=\"wp-image-1607\" srcset=\"https:\/\/stage.democracia.com.es\/app\/uploads\/2021\/10\/mg0323.jpeg 798w, https:\/\/stage.democracia.com.es\/app\/uploads\/2021\/10\/mg0323-300x217.jpeg 300w, https:\/\/stage.democracia.com.es\/app\/uploads\/2021\/10\/mg0323-768x555.jpeg 768w\" sizes=\"(max-width: 798px) 100vw, 798px\" \/><\/figure>\n\n\n\n<p>Recetas Urbanas. &#8220;Arquitectura para todos&#8221;.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image size-large caja\"><img loading=\"lazy\" width=\"744\" height=\"1024\" src=\"https:\/\/democracia.e451.net\/app\/uploads\/2021\/10\/mg0317-744x1024.jpeg\" alt=\"\" class=\"wp-image-1609\" srcset=\"https:\/\/stage.democracia.com.es\/app\/uploads\/2021\/10\/mg0317-744x1024.jpeg 744w, https:\/\/stage.democracia.com.es\/app\/uploads\/2021\/10\/mg0317-218x300.jpeg 218w, https:\/\/stage.democracia.com.es\/app\/uploads\/2021\/10\/mg0317-768x1057.jpeg 768w, https:\/\/stage.democracia.com.es\/app\/uploads\/2021\/10\/mg0317.jpeg 802w\" sizes=\"(max-width: 744px) 100vw, 744px\" \/><\/figure>\n\n\n\n<p class=\"caja\">Reuben Moss. &#8220;Pure form&#8221;.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full caja\"><img loading=\"lazy\" width=\"809\" height=\"360\" src=\"https:\/\/democracia.e451.net\/app\/uploads\/2021\/10\/mg0206.jpeg\" alt=\"\" class=\"wp-image-1611\" srcset=\"https:\/\/stage.democracia.com.es\/app\/uploads\/2021\/10\/mg0206.jpeg 809w, https:\/\/stage.democracia.com.es\/app\/uploads\/2021\/10\/mg0206-300x133.jpeg 300w, https:\/\/stage.democracia.com.es\/app\/uploads\/2021\/10\/mg0206-768x342.jpeg 768w\" sizes=\"(max-width: 809px) 100vw, 809px\" \/><\/figure>\n\n\n\n<p>Ruben Santiago. &#8220;Polis&#8221;.<\/p>\n\n\n\n<p><\/p>\n\n\n<div class=\"contenedor w-100 my-4 vimeo caja aligncenter\">\n\t<div class=\"un-video\" otra-cosa=\"vimeo\" data-plyr-provider=\"vimeo\" data-plyr-embed-id=\"77393665\"><\/div>\n<\/div>\n\n\n\n<p class=\"caja\">Olive Martin &amp; Patrick Bernier. &#8220;Manmuswak&#8221;.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Useful Art. According to the curators of the project, &#8220;we want to highlight the potential of &#8220;useful art &#8220;to create new ways of relationship between art and society, including the possibility of an alliance with some truly transforming movements &#8230; but also treat their contradictions, such as the instrumentalisation of which this type of projects might the object when they turn into substitutes for real social change &#8220;<\/p>\n","protected":false},"featured_media":1601,"parent":0,"template":"","_links":{"self":[{"href":"https:\/\/stage.democracia.com.es\/en\/wp-json\/wp\/v2\/project\/1612"}],"collection":[{"href":"https:\/\/stage.democracia.com.es\/en\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/stage.democracia.com.es\/en\/wp-json\/wp\/v2\/types\/project"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/stage.democracia.com.es\/en\/wp-json\/wp\/v2\/media\/1601"}],"wp:attachment":[{"href":"https:\/\/stage.democracia.com.es\/en\/wp-json\/wp\/v2\/media?parent=1612"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}